ART HISTORY, THEORY
Art History: Minimalism to End of Century 1965-2000 (AHIS 215)
Starting with the 1960’s push towards ‘Minimalism’, this course follows the trends and ideas in art throughout the last part of the twentieth century. Students trace the legacies of modern art in the fractious beginnings of Conceptual and Performance art, the death and rebirth of painting and the developing importance of photography and video, with an emphasis on the relationship between idea, process and subject matter. Classes are based on slide lectures and documents such as artists' journals and manifestos, as well as contemporary politics and criticism. Lively class discussion and informative readings make course content engaging and relevant. There is no prerequisite for this course. Textbook: Artists, Critics, Context: Readings in and around American Art Since 1945 by Paul F. Fabozzi. This textbook is readily available on-line from abebooks.com or amazon.ca (from $11.00 used). Or you can order from your local bookstore. Please purchase before start of class.
Thursdays 2pm - 5pm, Jan 10 - Apr 4, 2013
Danielle Hogan
Tuition: $395.00 (36 hrs)
Critical Studies II (ATHR 200)
In the second part of this course, students engage in a more conceptual and philosophical discourse surrounding visual culture, in particular, how it pertains to contemporary art. Slide lectures, readings, field trips and discussions introduce students to a more thorough understanding of the art world and the economic and social forces that shape visual art today. While looking at art is a fundamental part of this course, students are also challenged to develop a broader understanding of the way contemporary artwork relates to language, history and politics. Textbook: Artists, Critics, Context: Readings in and around American Art Since 1945 by Paul F. Fabozzi. Prerequisite: Critical Studies I or permission of the Director.
Tuesdays 2pm - 5pm, Jan 08 - Apr 2, 2013
Wendy Welch
Tuition: $395.00 (36 hrs)
Professional Development (SEMR 203)
Learn the basics of preparing professional artist materials such as a CV, an artist statement and photo documented artwork. The course also covers the different types of exhibition venues including non-profit, commercial and public galleries; community centers and cafés; and other activities such as writing of grants, preparing a budget, organizing a website, keeping a record of works sold and many other details involved in being an artist. Textbook: The Artist’s Guide: How to Make a Living Doing What You Love (available on amazon.ca)
Wednesdays 2:00pm - 5:00pm, Jan 23 - Apr 3, 2013
Wendy Welch
Tuition: $395.00 (36 hrs)
