This painting course blends immersive studio work with group discussions, offering an in-depth understanding and exploration of important themes in contemporary painting. Through a series of hands-on projects, students explore a wide range of painting techniques and approaches, expanding your skill set while challenging conventional approaches to painting. In addition to studio work, students will explore concepts and ideas and begin to situate their personal practice within the broader art world. Works of diverse contemporary painters will be examined and current painting topics will be discussed. Some painting experience recommended. THURSDAYS, JAN 14 - APR 08, 10AM - 1PM(PCT) IN-PERSON

What does it mean to make an abstract painting today? This studio course investigates the formal strategies that artists in the 21st century use to approach abstract painting, ranging from using images and a hybrid collage approach to geometry, pattern, grids, and process-based expressive work. Through a dynamic balance of slide presentations and hands-on in-class projects and critiques, students will discover how to make abstract paintings with an intentional, self-aware visual language. Studio assignments are organized around the text Painting Abstraction: New Elements in Abstract Painting by Bob Nickas. It is not necessary to have the textbook. Some painting experience recommended. FRIDAYS, JAN 15 - APR 09, 2PM - 5PM(PCT) ONLINE

In this 12-week course, students focus on developing a unified series of paintings. Guided research assignments using photography, drawing, and creative writing lead to the cultivation of each student’s own topic of choice. Series topics include formal and conceptual investigations such as use of materials, composition, structure and the development of ideas. Course includes examples of contemporary and modern artists who work in thematic ways, along with assigned readings, weekly critiques and opportunities to share research processes. This course helps artists with a million ideas swirling around, or those who simply don’t know where to begin. Students will learn to understand the connections in their life that can lead to the creation of a cohesive body of work. In addition to developing a series, students learn how to write an artist statement and prepare a submission for an artist residency or gallery. Students can work in a painting medium of their choice: acrylic, watercolour, gouache, oil, or mixed media. Previous painting experience recommended. THURSDAYS, JAN 14 - APR 08, 10AM - 1PM(PCT) ONLINE

Upcoming events at the Vancouver Island School of Art include exhibition openings, artist talks and lectures, fundraisers and Open Houses. Upcoming Events Slide Room Gallery: incoming poems resting Slide Room Gallery: incoming poems resting Upcoming Events Art Makes Life Better Fundraiser Tue, Jun 24 Victoria More info Details Luna Lectures - 100 Years of Abstraction and Women Sat, Dec 07 Victoria More info Details Luna Lectures - 100 Years of Surrealist Women Sat, Nov 16 Victoria More info Details Cocktails By The Sea Wed, Sep 13 Victoria More info Details Create your future COURSES & WORKSHOPS

Faculty and board biographies Tamara Bond BA Visual Arts, Emily Carr University of Art + Design Kate Brooks-Heinimann BFA Emily Carr University of Art + Design Kemi Craig MA Fine Arts, Emily Carr University of Art and Design Desiree DeRuiter BA Visual Arts University of Victoria Rotem Anna Diamant Master of Library and Information Science, University of Toronto BA English Honours, University of Winnipeg Renee Duval MFA Concordia University Fine Arts Diploma (with honours), Emily Carr College of Art and Design Thomas Guerrero BA History and Anthropology, University of Victoria David Kaarsemaker MFA University of Ottawa BFA Concordia University Meghan Krauss MFA University of Windsor BFA University of Saskatchewan Val Lawton BA University of Victoria (Canadian History) MA University of British Columbia (Library Science) James Letkeman MA Architecture University of British Columbia BFA University Of Victoria Andy Lou MFA University of North Texas John Luna MFA University of Calgary BFA University of Victoria Leah McInnis MFA University of Victoria BFA Emily Carr Institute of Art + Design Chantal New BA in Art and Design MFA West Dean College UK Corrie Peters MFA University of Manitoba BFA Concordia University BA in Child and Youth Care, University of Victoria Kate Scoones BFA University of Victoria Andrea Simmonds MFA Emily Carr University of Art and Design BA Bishop’s University, Sherbrooke, QC Xane St Phillip MFA University of California, Santa Barbara BFA University of Victoria Natasha Van Netten Diploma of Fine Art, Vancouver Island School of Art Lucia Volker BFA Emphasis in Printmaking, University of Utah Diploma of Interior Design, Pacific Design Academy Wendy Welch MFA University of Victoria BFA Concordia University Bryony Wynne-Jones Studied in England and Italy Kelly Zantingh BAH Studio Art University of Guelph Jessica Ziakin BA History in Art and Psychology University of Victoria MA Art History and Visual Studies University of Victoria Our Faculty All of our regular faculty members have graduate degrees in art (MFA or MA), exhibition record and teaching experience Our Faculty & Board Lindsay Shojania Chair Jan Redekop Treasurer Michael Erwin Director David Good Director Kathleen Greenaway Director Kirsten Petersen Director Russ Reynolds Director Eric Metcalfe Honorary Board Member Gary Pearson Honorary Board Member Our Board Create your future COURSES & WORKSHOPS

5878a212-2199-4f4d-971c-5cd377264642 Vancouver Island School of Art 302-733 Johnson St, Victoria, BC V8W 3C7 250-380-3500 info@vancouverislandschoolart.com Supply List - Drawing: History and Practice Required materials for the first class: - Graphite Pencils: B, 2B, 3B, 4B, 5B, 6B … (soft) - Sketchbook or Drawing Papers and Drawing Board with Clips - Utility knife or Pencil sharpener Additional materials to be discussed during the first class: - Calligraphy: Calligraphy Pens India Ink (black and/or Brown) Watercolor paint brush (various sizes) - Charcoal: Vine and Willow Charcoal Compressed Charcoal Charcoal Pencil - black and white (soft, medium, hard) Conté Compressed Pencil - black and sanguine (soft, medium, hard) Conté Compressed Charcoal/sanguine color - Pencils: Graphite Ebony Pencil Flat Sketching Pencil Woodless Graphite Pencil Graphite stick 6B, 7B, 8B... Colored Pencil - Drawing Papers: Charcoal Papers Drawing and Sketching Papers Newsprint Pastel Papers and Surfaces Pen and Marker Paper Pads Portable Sketchbook Bristol Pad 18 x 24 Newsprint Pad 18 x 24 - Roll-tip Pen (Microns or Artist’s Loft) - Erasers (Vinyl eraser, Kneaded rubber, Yellow gum) - Pastel Chalk (Black, White & Sanguine) - Tackle box or carrying bag - Masking tape - Scissors - Two bull dog clips - Metal or wood yard stick - Four or Five pieces of soft white wiping cloth cut into app. 10 x 10” piece - Workable fixative or hairspray (do not use it inside) - Drawing Board with Clips The Vancouver Island School of Art is delighted to have a partnership with Opus Art Supplies so please consider using this link and clicking on your course to purchase supplies from Opus Art Supplies: Partnership Page . You can also consider an Opus A+ Membership, where students can sign up to save 10% on all orders during their studies: Sign Up For Opus A+ Membership .