In this course, students will be encouraged to connect to their unconscious through drawing. Students explore what happens when they try to let go of conscious thinking and work more intuitively in their art practice. During each class, students will practice automatic drawing (similar to what the Surrealists were doing in the 1920s), free-form drawing and 'no-editing' exercises. The creation of ink blots and doodling will be used as starting points for picture making. The course will also include meditation exercises and drawing inspired from dreams. Drawing materials and process will focus on mixed media and collage. By doing this work, students will explore what lies below the surface in their unconscious while finding new images and techniques for their art practice. This class is ideal for those who love to draw and are curious to see what new images might come up during these explorations. Suitable for all levels. THURSDAYS, JAN 8 - APR 2, 6PM - 9PM IN-PERSON

This continuation of Landscape Painting Now I focuses on contemporary landscape concepts such as constructed realities, abstracted topographies and complicated vistas. Instructor will present a selection of artists each week based on these themes including, Gillian Carnegie, Mark Tansey, Cecily Brown, Andreas Erikson, Luc Tuymans and Francis Alys to name a few. Students will select one artist per week to do further research on and make a landscape painting based on something they learned from this artist. Students can paint in a medium of their choice including watercolour, gouache, acrylic or oils. It is not necessary to have completed Landscape Painting Now I, however some painting experience is recommended. FRIDAYS, JAN 9 - APR 3, 2PM - 5PM ONLINE

This course will focus primarily on contemporary painting because the twentieth century brought radical changes in art which were accompanied by fierce debates regarding the place of painting in contemporary culture. This course will examine how and why the medium of painting has not only persisted in the twenty-first century, but expanded and evolved alongside changes in art, technology, politics, and other factors, developing a unique energy and diversity. Course will include group discussions, image presentations, hands-on activities and gallery visits. This is a required course for Certificate of Visual Arts students, however anyone interested in what is going in the art world today is welcome to register. Contemporary Art I is not a prerequisite for this second part of this course. THURSDAYS, JAN 8 - APR 2, 2PM - 5PM IN-PERSON

51ec0ee9-6598-486a-8206-92a0212b01b1 Vancouver Island School of Art 302-733 Johnson St, Victoria, BC V8W 3C7 250-380-3500 info@vancouverislandschoolart.com Supply List - Drawing: Urban Perspectives - Mixed-media paper pad (at least 9" x 12") - 2 sheets black paper - 2 sheets mid-tone paper (grey or other colour) - 2 sheets Mylar or Grafix Dura-Lar sheets (8.5" x 11") - Graphite pencils (HB, 2B, 4B) - Water-soluble graphite pencil (Lyra 2B) - White plastic eraser - Medium willow or vine charcoal - 2 sticks white conte - 2 sticks black conte - Fine-tipped pen (like Staedtler pigment liner 0.5) - oil pastels (cyan, magenta, yellow, black, white) - 1 blending stump - scissors - glue stick - workable fixative spray (optional) Suggested place to buy art supplies: Opus Art Supplies, 512 Herald St, Victoria BC or order online: https://opusartsupplies.com/ You can consider an Opus A+ Membership, where students can sign up to save 10% on all orders during their studies: Sign Up For Opus A+ Membership .

3ff290ca-f1c0-4ac4-aaba-d4ae7a0410cb Vancouver Island School of Art 302-733 Johnson St, Victoria, BC V8W 3C7 250-380-3500 info@vancouverislandschoolart.com Supply List - Painting: Thematic Approaches - Mixed-media paper pad (any size, at least 9"x 12") - Acrylic paint (I recommend Amsterdam paints): Primary Magenta (or quinacridone magenta), Primary Cyan (or cerulean or cobalt blue), Ultramarine Blue, Primary yellow, Titanium white, Raw Umber (or burnt umber). Don't get "Fluid" paints. - Brushes: round brush (#1), filbert brushes (#2, #4 , #6 , #8 ), 1 large 3" hardware store brush - Acrylic medium (or acrylic glazing medium - it can be mat or glass, note: NOT gel medium or pouring medium). - Masking tape - Cotton rags - Aluminum foil over a plate as a palette - Containers for water and medium - Water spray bottle - Pencil and eraser - 5 painting surfaces (either canvas boards, stretched canvases or gessoed wood panels), sizes of your choice - to be discussed during the 1st class. Suggested place to buy art supplies: Opus Art Supplies, 512 Herald St, Victoria BC or order online: https://opusartsupplies.com/ You can consider an Opus A+ Membership, where students can sign up to save 10% on all orders during their studies: Sign Up For Opus A+ Membership .

e7181cb6-7a99-46e7-945a-7ff5ffd9afd5 Vancouver Island School of Art 302-733 Johnson St, Victoria, BC V8W 3C7 250-380-3500 info@vancouverislandschoolart.com Supply List - Colour in Painting - Mixed-media paper pad (any size, at least 9"x 12") - Acrylic paint (I recommend Amsterdam paints): Primary Magenta (or quinacridone magenta), Primary Cyan (or cerulean or cobalt blue), Ultramarine Blue, Primary yellow, Titanium white, Raw Umber (or burnt umber). Don't get "Fluid" paints. - Brushes: round brush (#1), filbert brushes (#2, #4 , #6 , #8 ), 1 large 3" hardware store brush - Acrylic medium (or acrylic glazing medium - it can be mat or glass, note: NOT gel medium or pouring medium). - Masking tape - Cotton rags - Aluminum foil over a plate as a palette - Containers for water and medium - Water spray bottle - Pencil and eraser - 5 painting surfaces (either canvas boards, stretched canvases or gessoed wood panels), sizes of your choice - to be discussed during the 1st class. Suggested place to buy art supplies: Opus Art Supplies, 512 Herald St, Victoria BC or order online: https://opusartsupplies.com/ You can consider an Opus A+ Membership, where students can sign up to save 10% on all orders during their studies: Sign Up For Opus A+ Membership .