You will learn the classic hatching and cross-hatching shading techniques that artists have used for centuries to build tone, volume, and texture. By varying the density, direction, overlap and spacing of lines, artists are able to render a range of values to create true representations of the subject matter. In this class, we’ll use pen and ink to create the foundation of our image, then finish with watercolour. We will look to classic botanical illustration by such masters as da Vinci, and more modern scientific illustrators, to examine how they have used cross-hatching to create vivid portrayals of botanical life with a focus on plants and flowers found here on Vancouver Island. Suitable for all levels. All supplies included. SATURDAY & SUNDAY, DECEMBER 5 & DECEMBER 6, 1:30 - 4:30PM(PDT) IN-PERSON

This hands-on studio course focuses on recognizing and responding to persistent themes and images in your work and the processes required to bring them to life. Using imagination, memories, experiences, and ideas, students will work in the place between direct observation and intuition. With various drawing subjects presented in class, students are guided through exercises that include a range of techniques and methods for developing visual ideas and building strong compositions. This course is a great introduction to the expansive subject matter that can provide inspiration for drawing. Suitable for all levels. WEDNESDAYS, SEP 16 - DEC 16, 10AM - 1PM(PDT) IN-PERSON (Due to two statutory holidays Wednesday courses start Sep 16)

This two-part course follows the trajectory of contemporary art from the 1980s to the present. The course begins with an overview of what contemporary art is and how and why it came about. Topics covered include play and humour; minimalism and conceptualism; identity and narrative, as well as politics and culture. In addition, a range of genres will be covered including painting, sculpture, installation, performance, video and social practice. Students will be assigned short readings and discussion questions each week related to the textbook and other reference materials. The course includes lectures, discussions, as well as in-class hands-on projects. To obtain a good grasp of the subject matter, it is important to have the textbook. Suitable for all levels. THURSDAYS, SEP 24 - DEC 17, 2PM - 5PM(PDT) IN-PERSON

Faculty and board biographies Tamara Bond BA Visual Arts, Emily Carr University of Art + Design Kate Brooks-Heinimann BFA Emily Carr University of Art + Design Desiree DeRuiter BA Visual Arts University of Victoria Rotem Anna Diamant Master of Library and Information Science, University of Toronto BA English Honours, University of Winnipeg Renee Duval MFA Concordia University Fine Arts Diploma (with honours), Emily Carr College of Art and Design Thomas Guerrero BA History and Anthropology, University of Victoria David Kaarsemaker MFA University of Ottawa BFA Concordia University Meghan Krauss MFA University of Windsor BFA University of Saskatchewan Val Lawton BA University of Victoria (Canadian History) MA University of British Columbia (Library Science) James Letkeman MA Architecture University of British Columbia BFA University Of Victoria Andy Lou MFA University of North Texas John Luna MFA University of Calgary BFA University of Victoria Leah McInnis MFA University of Victoria BFA Emily Carr Institute of Art + Design Chantal New BA in Art and Design MFA West Dean College UK Corrie Peters MFA University of Manitoba BFA Concordia University BA in Child and Youth Care, University of Victoria Kate Scoones BFA University of Victoria Andrea Simmonds MFA Emily Carr University of Art and Design BA Bishop’s University, Sherbrooke, QC Xane St Phillip MFA University of California, Santa Barbara BFA University of Victoria Natasha Van Netten Diploma of Fine Art, Vancouver Island School of Art Lucia Volker BFA Emphasis in Printmaking, University of Utah Diploma of Interior Design, Pacific Design Academy Wendy Welch MFA University of Victoria BFA Concordia University Bryony Wynne-Jones Studied in England and Italy Kelly Zantingh BAH Studio Art University of Guelph Jessica Ziakin BA History in Art and Psychology University of Victoria MA Art History and Visual Studies University of Victoria Our Faculty All of our regular faculty members have graduate degrees in art (MFA or MA), exhibition record and teaching experience Our Faculty & Board Lindsay Shojania Chair Jan Redekop Treasurer Michael Erwin Director David Good Director Kathleen Greenaway Director Kirsten Petersen Director Russ Reynolds Director Eric Metcalfe Honorary Board Member Gary Pearson Honorary Board Member Our Board Create your future COURSES & WORKSHOPS

Upcoming events at the Vancouver Island School of Art include exhibition openings, artist talks and lectures, fundraisers and Open Houses. Upcoming Events Upcoming Events Art Makes Life Better Fundraiser Tue, Jun 24 Victoria More info Details Luna Lectures - 100 Years of Abstraction and Women Sat, Dec 07 Victoria More info Details Luna Lectures - 100 Years of Surrealist Women Sat, Nov 16 Victoria More info Details Cocktails By The Sea Wed, Sep 13 Victoria More info Details Create your future COURSES & WORKSHOPS

7d3574e5-e8cd-40c3-af40-1b5fee96ccf6 Vancouver Island School of Art 302-733 Johnson St, Victoria, BC V8W 3C7 250-380-3500 info@vancouverislandschoolart.com Supply List - Painting in the City Items required for the first class: Paint - oil or acrylic: - quinacridone red (or similar) - ultramarine blue - pthalo blue - lemon yellow (or equivalent—should say PY3 on the tube) - titanium white - 2 small or medium sized surfaces to paint on, appropriate for oil or acrylic (any suitable gessoed surface, stretched canvas, canvas paper, gessoed wood panel, etc) - recommended brush: #12 “bright” brush: Hog bristle for oil, and a stiff synthetic for acrylic - oil painters: rags, and odourless mineral spirits (OMS) - mediums (whatever you have, and we can discuss specifics in class) Additional materials to be discussed in the first class: Some experience with either oil or acrylic is assumed, so materials will vary from student to student. In the first class we will discuss materials further. The only requirement is to be ready to paint every class. The Vancouver Island School of Art is delighted to have a partnership with Opus Art Supplies so please consider using this link and clicking on your course to purchase supplies from Opus Art Supplies: Partnership Page . You can also consider an Opus A+ Membership, where students can sign up to save 10% on all orders during their studies: Sign Up For Opus A+ Membership .