This workshop is an introduction to gouache (pronounced ‘gwash’), an opaque water-based paint valued for its saturated colour and velvety finish. While related to watercolour, gouache has its own unique qualities, and because it's opaque, you can paint light colours over dark or work effectively on tinted or dark papers. We will explore how to mix and blend paint and understand the basics of colour theory all while learning about this versatile medium. Gouache is a great medium for beginner painters because of it is very forgiving and easy to use. Suitable for all levels. See supply list SATURDAY, MARCH 7, 10AM - 4:30PM IN-PERSON

This continuation of Landscape Painting Now I focuses on contemporary landscape concepts such as constructed realities, abstracted topographies and complicated vistas. Instructor will present a selection of artists each week based on these themes including, Gillian Carnegie, Mark Tansey, Cecily Brown, Andreas Erikson, Luc Tuymans and Francis Alys to name a few. Students will select one artist per week to do further research on and make a landscape painting based on something they learned from this artist. Students can paint in a medium of their choice including watercolour, gouache, acrylic or oils. It is not necessary to have completed Landscape Painting Now I, however some painting experience is recommended. FRIDAYS, JAN 9 - APR 3, 2PM - 5PM ONLINE

In this course, students will be encouraged to connect to their unconscious through drawing. Students explore what happens when they try to let go of conscious thinking and work more intuitively in their art practice. During each class, students will practice automatic drawing (similar to what the Surrealists were doing in the 1920s), free-form drawing and 'no-editing' exercises. The creation of ink blots and doodling will be used as starting points for picture making. The course will also include meditation exercises and drawing inspired from dreams. Drawing materials and process will focus on mixed media and collage. By doing this work, students will explore what lies below the surface in their unconscious while finding new images and techniques for their art practice. This class is ideal for those who love to draw and are curious to see what new images might come up during these explorations. Suitable for all levels. THURSDAYS, JAN 8 - APR 2, 6PM - 9PM IN-PERSON

This course explores drawing from the 1960s to the present day, focusing on how contemporary artists use drawing as a tool for expression, experimentation, and conceptual exploration. Through image presentations and discussions, students will examine the work of influential artists who have expanded the boundaries of drawing in diverse and innovative ways. Weekly projects will encourage a variety of techniques and materials, from traditional to mixed and experimental media. The course concludes with a final project that reflects each student’s personal engagement with a contemporary approach or idea. This course provides an ideal way to learn about art history and drawing practice at the same time. Suitable for all levels. THURSDAYS, JAN 8 - APR 2, 10AM - 1PM ONLINE

This art history course begins with an introduction to some of the 19th century movements that contributed to major breakthroughs and innovations in 20th century art. Starting from Romanticism, through to Realism, Impressionism, Cubism, the course will proceed to cover early 20th century Abstraction, Constructivism and Surrealism, to mid-century Abstract Expressionism, Pop Art, Conceptual Art to the Contemporary period starting in the 1980s. The course will also reflect on how art history is enriched by non-Western and feminist interventions. Students will be encouraged to become knowledgeable participants in the ongoing debates about what art is, who it's for, and who gets to benefit from it. Course format is based on lectures and class discussions. Suitable for all levels. THURSDAYS, JAN 8 - APR 2, 10AM - 1PM IN-PERSON

In this day-long workshop you will learn about important women botanical illustrators. Focusing on Maria Sibylla Merian (1647-1717), who was one of the first to include the life cycles of plants and insects in their scientific renditions, these illustrations offered important insights into the natural world. This workshop will be an opportunity to engage with some of these historical botanical drawings and transform them into abstract imagery. You will discover the exciting process of abstraction by analyzing plant details through pencil drawings and then learn how to use these studies for the basis of an abstract composition for a painting. Suitable for all levels. All supplies included SATURDAY, MARCH 21, 10AM - 4:30PM IN-PERSON

This course focuses on creating dramatic or subtle effects of light in painting. Students will explore various kinds of tonal ranges in painting by making works that focus only on dark values, others that contain only light values, as well as works that have a wide range of contrasting values of both light and dark. Students will learn how glazing can complicate effects of light and how colour can be used to affect our perception of light and shadows. An understanding of value, which includes light and shadow, leads to strong and dynamic paintings. Some painting experience recommended. TUESDAYS, JAN 6 - MAR 31, 6PM - 9PM ONLINE

This course introduces students to the elements of design (line, value, shape/volume, texture, space and motion), and the principles of design (process, unity, emphasis and focal point, scale and proportion, and balance and rhythm. Weekly assignments are given in conjunction with a visual presentation of the subject matter discussed. Students assemble a reference book with emphasis on small-scale collage exercises to develop an understanding of how design can be applied across mediums such as drawing, painting, textiles, photography or graphic design. Suitable for all levels. FRIDAYS, JAN 9 - APR 3, 2PM - 5PM IN-PERSON

Do you see people sitting on a park bench or in a café sketching and wish you could do that too? Would you like to draw what you see around you while wandering through a city? Students will learn the basic techniques necessary to draw architecture, interiors of buildings, people, gardens and parks, and be introduced to the best materials to carry for sketching on-site, as well as how to use photography to document ideas for at-home drawing. The course will include walking around downtown as well as going to local parks and public spaces. During inclement weather, class outings will include going inside buildings such as the Atrium, the Empress Hotel and the Royal British Columbia Museum. This is a great course to take for those who will be travelling to an urban location and would like to do some drawing while there. (There will be an additional fee for museum entrance). Suitable for all levels. TUESDAYS, JAN 6 - MAR 31, 10AM - 1PM IN-PERSON

This course will focus primarily on contemporary painting because the twentieth century brought radical changes in art which were accompanied by fierce debates regarding the place of painting in contemporary culture. This course will examine how and why the medium of painting has not only persisted in the twenty-first century, but expanded and evolved alongside changes in art, technology, politics, and other factors, developing a unique energy and diversity. Course will include group discussions, image presentations, hands-on activities and gallery visits. This is a required course for Certificate of Visual Arts students, however anyone interested in what is going in the art world today is welcome to register. Contemporary Art I is not a prerequisite for this second part of this course. THURSDAYS, JAN 8 - APR 2, 2PM - 5PM IN-PERSON

This hands-on painting course uses examples from art history to focus on how artists use colour. Students will make studies from reference paintings and then allow the artists’ approaches to colour to inform their own work. The course begins with the use of colour in the early Renaissance, and then moves through work by artists in the Baroque and Rococo eras, Impressionism, early Modernism, and Pop Art, concluding with exploring the diverse approaches to colour in Contemporary Art. This course will provide a great way to discover how art from the past can inform paintings that are being made today. Students can work in acrylic or oil. Some painting experience recommended. WEDNESDAYS, JAN 7 - APR 1, 10AM - 1PM IN-PERSON

Drawing Introduction II continues the focus on basic materials and techniques of drawing. In this second part of the course, the emphasis is on learning to use materials and methods to develop a personal expression in drawing. Students will explore a range of materials and approaches including using colour in drawing. As with Drawing Introduction I, subject matter includes still life, the figure, landscape, architectural space, narrative, and student supplied source material. Prerequisite: Drawing: Introduction I or some drawing experience. FRIDAYS, JAN 9 - APR 3, 10AM - 1PM IN-PERSON